First, read the Introduction and see how the folk tale and wisdom literature elements are presented. If your students are interested in this, there is a wealth of material for them to use in writing/researching a paper on many of the stories.
Second, in a multi-level class, you can have all the students read the actual Alphonsus story, then have the more advanced students read either the Gesta versions or the other Latin sources that are presented with each story. The less advanced students can read about the wisdom/folk tale origins in English and add their commentary.
You can also have students write their own moral to the story, whether it’s the Alphonsus or the Gesta version.
Story-telling might actually be the “oldest profession.” While the stories all have a supposed moral, quite frankly they offer great entertainment value. Most of them are short and give you a good feeling for the culture of the Middle Ages.
Many of Alphonsus’ stories were later used in the Gesta Romanorum, and he also gathered stories from all over: India, the Near East (Christian, Jewish and Muslim) and Europe. They are a combination of folktales and wisdom literature, all of which is carefully explained in the notes to both the text and the book itself.
Like much of Medieval Latin, the prose is straight-forward and the word order easy to understand. Once you have gotten accustomed to the spelling (e.g., c instead of t, cepit instead of coepit), which is explained in the notes, and think of the English derivatives, the translating is easy, and the text can even be read without conscious translation. The discussion questions can lead to further conversation and study.
How to use the Navigatio Sancti Brendani for utmost pleasure for both you and your students:
First, as the teacher, download the Teacher’s Notes from the store on the CANEPress website. There are many items of interest here: projects, an outline of the story itself and the translation of the text.
Second, explain to the students that they now have a chance to understand the medieval mind. Things that we see know are not possible (e.g., a column rising in the middle of the ocean) were perfectly reasonable to the time period. If students look at some of the old maps, they will see lots of fantastic items listed. It’s not that these people were “stupid,” it’s that their understanding of the world allowed the mystic and the real to coexist on the same plane.
If you use old maps, you will find that you can try to plot St. Brendan’s course, but will often get lost, and want to go in another direction! In that case, view the voyage as a metaphor for: salvation/finding oneself/a quest. That opens the discussion up in very interesting ways.